David Bowie wrote this song for Mott the Hoople who at the time were about to break up after limited commercial success. Drummer Dale Griffin said that when they heard the song they thought: "He wants to give us that? He must be crazy! We broke our necks to say yes!" Some vintage socks on view as well.
The Pandemic was tough on many artists as they were unable to perform. But some thrived, such as Sophie Ellis-Bextor with her live weekly "Kitchen Disco" concerts featuring herself and her family, streamed live from their kitchen on Instagram. All of which helped revive Sophie's career culminating in the appearance of this track in the movie 'Saltburn' and a spot at the 2024 BAFTAs.
It's Murder on the Dancefloor, but it's worth the wait (DJ).
'Night Mail' is an iconic 1936 film made by the Post Office about the night mail train collecting and taking post to Scotland. The words in this last three minutes of the film are by poet W. H. Auden, then still in his twenties, and the music by composer Benjamin Britten, then only 22. The dog is not credited.
Madonna Ciccone is in trouble. Two fans are suing her for coming on stage two hours late. They should count themselves lucky. For those of us old enough to have been to gigs in the last Millennium, two hours is positively early.
There is much Madonna from which to chose, but your Song of the Week editor, being old, has a soft post for 'Borderline'. Mainly because it is fab.
When Mark E Smith, founder of the Fall, heard Coldcut's track 'My Telephone' he thought the guitar, bass and drums fine, but the words, vocals and all the rest of it, rubbish. So he rewrote it (and made it about phone tapping). Smith could be awkward to say the least, and his vocal style (you'd hesitate to call it singing) singular, but he could also be compelling.