Based upon our joint work with M. Marcolli, I will introduce some algebraic geometric models in cosmology related to the "boundaries" of space-time: Big Bang, Mixmaster Universe, and Roger Penrose's crossovers between aeons. We suggest to model the kinematics of Big Bang using the algebraic geometric (or analytic) blow up of a point $x$. This creates a boundary  which consists of the projective space of tangent directions to $x$ and possibly of the light cone of $x$. We argue that time on the boundary undergoes the Wick rotation and becomes purely imaginary. The Mixmaster (Bianchi IX) model of the early history of the universe is neatly explained in this picture by postulating that the reverse Wick rotation follows a hyperbolic geodesic connecting imaginary time axis to the real one. Roger Penrose's idea to see the Big Bang as a sign of crossover from "the end of the previous aeon" of the expanding and cooling Universe to the "beginning of the next aeon" is interpreted as an identification of a natural boundary of Minkowski space at infinity with the Bing Bang boundary.

Even a cursory inspection of the Hodge plot associated with Calabi-Yau threefolds that are hypersurfaces in toric varieties reveals striking structures. These patterns correspond to webs of elliptic K3 fibrations whose mirror images are also elliptic K3 fibrations. Such manifolds arise from reflexive polytopes that can be cut into two parts along slices corresponding to the K3 fibers. Any two half-polytopes over a given slice can be combined into a reflexive polytope. This fact, together with a remarkable relation on the additivity of Hodge numbers, explains much of the structure of the observed patterns.