Okay, it's not a song and Tom can sound stilted to the modern ear - he was actually from Missouri - but there is a real music to Eliot's musing on time which perhaps sits well at this time of year. This is the first part of Burnt Norton (1936) the first poem in the Four Quartets (published in 1944).
Brinsley Schwarz were part of the pub rock scene of the 1970s in the UK, hardly the most glamorous of descriptions, conjuring up images of warm beer on warm afternoons in some dive in South London. However, they proved influential (though not until after they had disbanded) and this song, one of their best, has been covered by various artists including Elvis Costello and Bruce Springsteen.
Clara Schumann (1819-1896) was a prodigious pianist and composer until family life intervened in her mid-thirties. Much of her work was not performed until recently. The title translates as "I stood darkly dreaming".
In July 1954, an unknown nineteen-year-old singer called Elvis Presley went to a local studio in Memphis to record a few songs. This is one of them.
As good as it gets.
Australian by birth, Percy Grainger spent the early years of the 20th Century collecting and, in some cases, arranging traditional English Folk songs. Brigg Fair took place on 5 August every year, in Lincolnshire, and was primarily a place for trading horses. Grainger's arrangment was later adapted for orchestra by Frederick Delius.
You can hear a 1907 version by local singer Joseph Taylor (who was then nearly 75 years old) recorded by Grainger.
There aren't that many songs from the Punk and New Wave era that have lasted, possibly because a lot of the bands couldn't play their instruments which is a bit of a barrier to great songwriting. However, the Only Ones managed it with 'Another Girl, Another Planet', helped by such lines as "Space travels in my blood/There ain't nothing I can do about it/Long journeys wear me out/But I know, I can't live without it."
Time we had some swing and a tinkle of jazz courtesy of Count Basie and the band.
What's your mood today? Whatever your answer, you'll probably find it somewhere in Erik Satie's Gnossienne.
Nina Simone was singer, songwriter and arranger across a variety of musical styles. But she was also a leading civil rights activist throughout her career and her 1969 song 'To Be Young, Gifted and Black' (lyrics by Weldon Irving) became one of the anthems of the Civil Rights Movement. However, it was the reggae version of the following year (Young, Gifted and Black') by Jamaican duo Bob & Marcia that was the most commercially successful.
A song for Black History Month.
In 1967, when a lot of musicians were, in John Lennon's words, wanting to change the world, The Kinks and songwriter Ray Davies were ploughing a different furrow and singing about a more simple life.
William Byrd was a leading composer of sacred and secular music in the 16th and 17th Centuries. He was also a Catholic at a time when Elizabeth I's heavies were tightening their Protestant grip.
Byrd trod a fine line as his position in the Chapel Royal meant he had to produce work for Anglican (Protestant) services which was not too elaborate (ie. Catholic). Some Anglicans felt he crossed the line and he had his run-ins (and certainly composed overt 'Catholic' music for private performance), but he lived to a ripe and rich old age.
As we approach term, it's time for the great Curtis Mayfield to give us a shot in the arm.
A quiet Bulletin this week so it is appropriate that our song is John Cage's famous/infamous 4' 33''. But of course, it isn't quiet. It is every sound you hear, yours and others, while you listen to 4 minutes and 33 seconds of apparent silence. You can watch a live perfomance here.
Stones drummer Charlie Watts died last week. Charlie said he was a jazz drummer at heart (they all say that don't they) but the obituaries made it clear how important he was to the Stones's sound.
You can Google to see him in action - and exchanging sardonic looks with bassist Bill Wyman while Mick flaunts out front - but here is the band in their pomp, the period from 1968-1972 when they could do no wrong (on record that is) and before the albums started to tread water and the touring money began to pour in.
A special request this week, our first, from Vicky Neale, whose annual pilgramge to the Isle of Skye has been delayed. So in its place, and almost as good as being there yourself, here is Felix Mendelssohn's Hebrides Overture. Written in 1830, it was inspired by his visit to the Hebridean island of Staffa.
Continuing last week's theme, Glaswegian band Belle and Sebastian are named after the Cécile Aubry novel about a boy named Sébastien and his dog Belle. The book was, in turn, made in to a French TV series which was, inevitably, badly dubbed in to English in time for the school holidays in the 1960s.
But enough of that. Back to the band. This is from one of their early EPs and is typical B & S: understated storytelling.
Back in the 1960s and 1970s UK televsion didn't seem to come on very often during the day. But in school holidays it seemed to work a bit harder via a series of imported programmes such as The White Horses which was made jointly by Yugoslav and German television. White Horses was dubbed (badly) and may have been forgotten but for the UK theme tune sung by Irish singer Jackie Lee. It still brings a tear to the eye of ageing children. And horse lovers.
The Countess is in despair. She feels she is no longer loved. In just 3 minutes, in her first appearance in the opera, she explains. Jessye Norman is our guide.
Violetta Parra was one of the leading voices of Chilean folk music as well as a painter, poet and sculptor, and her influence spread far beyond her country and continent. This song ('Being Seventeen Again') looks back on youth from middle age.
If you think you can hear echoes of the Blues on this track that is because it is the Blues; African Desert Blues as performed by Malian singer and musician Ali Farka Tourè, mixing Malian traditional music with the blues from across the Atlantic. This song is from his 1994 collaboration with American musician Ry Cooder.
Composed in 1894, this is one of Debussy's most famous and influential works. Based on the poem of the same name by the French symbolist poet Stéphane Mallarmé, it depicts the faun's sleepy, daydreamy afternoon. Perfect for a Friday afternoon; or as the background to that latest Teams meeting.
The Bonzos met at Art School. It was the 60s.
Neil Innes, composer and vocalist on 'Urban Spaceman,' went on to write the music for the Rutles, a parody and homage to the Beatles.
One of the rites of passage of youth is staying up all night, preferably a Saturday night so, as dawn breaks, you can play this Song of the Week. With vocals by Lou Reed and backing vocals from Nico, this is from the Velvet Underground's much lauded first album.
You can of course play it after a good night's sleep. Or on a Friday.
1980s pop has a lot of fans which comes as a surprise to some of the people who were there at the time (including your Song of the Week correspondent). Mind you, you should have been around in the 70s.
Still, even the most grudging of critics has to admit to one or two gems and this is one of them. Great hook, great title, stupid video. No comment on the hair. Welcome to the 80s.