Song of the week: White Horses - Jacky

Back in the 1960s and 1970s UK televsion didn't seem to come on very often during the day. But in school holidays it seemed to work a bit harder via a series of imported programmes such as The White Horses which was made jointly by Yugoslav and German television. White Horses was dubbed (badly) and may have been forgotten but for the UK theme tune sung by Irish singer Jackie Lee. It still brings a tear to the eye of ageing children. And horse lovers.

Song of the week: 'Porgi, amor' from Mozart's The Marriage of Figaro

The Countess is in despair. She feels she is no longer loved. In just 3 minutes, in her first appearance in the opera, she explains. Jessye Norman is our guide.

Song of the week: Violeta Parra - Volver a los Diecisiete

Violetta Parra was one of the leading voices of Chilean folk music as well as a painter, poet and sculptor, and her influence spread far beyond her country and continent. This song ('Being Seventeen Again') looks back on youth from middle age.

Song of the week: Ali Farka Tourè - Diaraby

If you think you can hear echoes of the Blues on this track that is because it is the Blues; African Desert Blues as performed by Malian singer and musician Ali Farka Tourè, mixing Malian traditional music with the blues from across the Atlantic. This song is from his 1994 collaboration with American musician Ry Cooder. 

Song of the week: Claude Debussy - Prélude à l'après-midi d'un faune

Composed in 1894, this is one of Debussy's most famous and influential works. Based on the poem of the same name by the French symbolist poet Stéphane Mallarmé, it depicts the faun's sleepy, daydreamy afternoon. Perfect for a Friday afternoon; or as the background to that latest Teams meeting.

Song of the week: The Bonzo Dog Doo-Dah Band - I'm the Urban Spaceman

The Bonzos met at Art School. It was the 60s. 

Neil Innes, composer and vocalist on 'Urban Spaceman,' went on to write the music for the Rutles, a parody and homage to the Beatles.

Song of the Week: The Velvet Underground - Sunday Morning

One of the rites of passage of youth is staying up all night, preferably a Saturday night so, as dawn breaks, you can play this Song of the Week. With vocals by Lou Reed and backing vocals from Nico, this is from the Velvet Underground's much lauded first album.

You can of course play it after a good night's sleep. Or on a Friday.

Song of the Week - Bananarama - Robert De Niro's Waiting

1980s pop has a lot of fans which comes as a surprise to some of the people who were there at the time (including your Song of the Week correspondent). Mind you, you should have been around in the 70s.

Still, even the most grudging of critics has to admit to one or two gems and this is one of them. Great hook, great title, stupid video. No comment on the hair. Welcome to the 80s.

Song of the week: Henry Purcell - Dido and Aeneas ('When I am laid in Earth'), sung by Joyce DiDonato

it is often said that there were no great British composers between Henry Purcell (1659-1695) and the 20th Century and certainly no great opera composers between Purcell and Benjamin Britten after the Second World War. Then again, Purcell left a very high bar. This famous aria is from his only opera, Dido and Aeneas. The Opera is based on Book IV of Virgil's Aeneid and tells of the love of Dido, Queen of Carthage, for the Trojan Aeneas, and her despair when he abandons her.

Song of the week: Ring of Fire - Johnny Cash

What better way to celebrate a sizzling weekend than hot stuff from the Man in Black. Ring of Fire was co-written by June Carter, Johnny Cash's future wife, about their early relationship (and no, Cash wasn't the other co-writer). There is plenty of Johnny Cash on YouTube including his famous concerts at American prisons in the late 1960s. Cash himself had spent a few nights in prison in his time.

Song of the week: Laurel and Hardy - The Trail of the Lonesome Pine

In the first week of June, here is a song about June performed by the comic genius of Stan and Ollie. Like much of their routine it starts well...

Song of the Week: Joni Mitchell - Both Sides Now

There used to be singers and there used to be songwriters. Okay, that is a massive simplification, but the term 'singer-songwriter' only really took off in the late 60s and early 70s. Joni Mitchell is one of its leading lights with a large catalogue spanning five decades. This performance is from 1970. It must have been something to hear that voice live.

Song of the Week: Cilla Black and Marc Bolan - Life's a Gas

Cilla Black became best known for hosting the ITV dating show Blind Date. But she had started as a singer and in the 1970s had a regular BBC Saturday evening 'light entertainment' show (i.e unwatchable if you were under 50).

Marc Bolan, leader of T Rex, was the star of Glam Rock, and in 1973 at the height of his fame. Marc was not really light entertainment (if a bit 'lite' on lyrics sometimes). Life's a Gas was a Bolan song from a couple of years earlier.

They were not a pairing you would expect. But this is probably better than the original.

Song of the Week: Glen Campbell - Galveston

Galveston, released in 1969 at the height of the Vietnam War, tells the story of a soldier pining for his Texan hometown as he prepares to go in to battle. "I clean my gun and think of Galveston."

Below is the remastered original and here is an acoustic version. Country singer Glen Campbell had songwriter Jimmy Webb to thank for two more of his biggest hits, Wichita Lineman and By the Time I Get to Phoenix (written when Webb was only 19).

Song of the Week: Charles Ives - The Unanswered Question

American modernist composer Charles Ives first wrote the Unanswered Question in 1908 before revising it in the 1930s. It wasn't performed until 1946. In the piece a trumpet repeatedly asks the question. The woodwind struggle to find an answer. Sound familiar?

Song of the Week: The Wailers - Stir it Up

In 1972, Island Records boss Chris Blackwell was looking for the next big thing. Meanwhile Bob Marley and his band needed money to get home to Jamaica. So began Bob's golden period.

Stir it Up is from their first work together, the 1973 album Catch a Fire, and this performance is from the band's May 1973 appearance on the influential music show The Old Grey Whistle Test. The Wailers, as they were known until 1974, comprised a core group of Marley, Peter Tosh and Bunny Wailer. They had been together since 1963. Good things come to those who wait...

 

Song of the Week: Jacqueline du Pré - Edward Elgar's Cello Concerto in E minor (Adagio)

Edward Elgar's Cello Concerto (1919) was one his last works but it was made famous many years later by the 20-year-old Jacqueline du Pré. This concert is from 1967, 2 years after that first recording. Daniel Barenboim conducts the London Philharmonic. It (the Adagio) is over 8 minutes, but what an 8 minutes.

PS. Apologies if the ads appear mid music. Does anyone actually use Grammarly?

Song of the Week: The Tornados - Telstar

The instrumental Telstar, created by the sound engineering genius of producer Joe Meek, was named after the eponymous communications satellite of the same year. The track captures Meek's obsession with sound rather than melody (he couldn't read music anyway).

Song of the Week: Broadcast - Come On Let's Go

Cult Birmingham band Broadcast made three albums in the early 2000s, mixing sounds around co-founder Trish Keenan's soft voice.

Song of the Week: Benjamin Britten - The Young Person's Guide to the Orchestra (Fugue)

If you are new to - or old and unmoved by - classical music then maybe Benjamin Britten can persuade you; or at least show you how it can work. The Young Person's Guide to the Orchestra (1945) was Britten's way of showing off the roles and ranges of the various instruments in the orchestra. This last section, the short Fugue, brings it all together. If you want to know more about the piece here is a good explanation. Then maybe go and listen to it all?

Song of the Week: the Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clervaux - Magnificat - Tu es pastor ovium

Should you need relief after a long term, try a little hypnosis, Gregorian style. This chant is taken from a 1959 recording from the Abbey of Saint-Maurice and Saint-Maur, Clervaux in Luxembourg and is regarded as one of the gems of its type by the Gregorian cognoscenti. It was apparently recorded during Mass. You can certainly hear shuffling in the pews in some of the later chants.

Song of the Week: Daft Punk - Fragments of Time ft. Todd Edwards

French electronic duo Daft Punk 'exploded' after 28 years last week via a farewell video showing them in their characteristic robot helmets and leather before one of them literally explodes. Dumb? Maybe, but they were anything but, mixing genres and record collections at will over 4 albums. Here is a 2013 track from the last album which, with its melancoly but uplifting dance, seems to come from almost any genre you want. Worth a listen whatever your taste.

 

Song of the Week: Nick Drake - At the Chime of a City Clock

You have to be a little suspicious of the 'died young, neglected in their lifetime' genius, but in the case of Nick Drake, Song of the Week would suggest the reputation is well-deserved. Despite reading English at Fitzwilliam College in Cambridge (he packed it in anyway), he went on to make 3 brilliant, largely acoustic, largely ignored, albums before his death in 1974, aged 26.

This song from his second album 'Bryter Layter' seems to be about being lonely in an overcrowded world. Our overcrowded world has moved online but we can still find a few friends. Gather Town perhaps at the 5pm Chime of a City Clock?

Song of the Week: Frédéric Chopin - Prelude in B major Op. 28 No. 11

We celebrate brevity this week courtesy of Polish composer Frédéric Chopin. This, the 11th of his 24 Preludes written for solo piano, makes its point in just 41 seconds.

Song of the Week: The Supremes - Stoned Love

In the week we lost Mary Wilson, here are the Supremes (Mary on backing vocals) having a very good time with an audience who are also having a very good time. Stoned Love is from 1970, after Diana Ross had left, but is as good as anything they did. So put Teams on mute, turn off the camera and get dancing with Mary.