Oxford Mathematics is delighted to be hosting one of the largest exhibitions by the artist Conrad Shawcross in the UK. The exhibition, Cascading Principles: Expansions within Geometry, Philosophy, and Interference, brings together over 40 of Conrad's mathematically inspired works from the past seventeen years. Rather than in a gallery, they are placed in the working environment of the practitioners of the subject that inspired them, namely mathematics.

Conrad Shawcross models scientific thought and reasoning within his practice. Drawn to mathematics, physics, and philosophy from the early stages of his artistic career, Shawcross combines these disciplines in his work. He places a strong emphasis on the nature of matter, and on the relativity of gravity, entropy, and the nature of time itself. Like a scientist working in a laboratory, he conceives each work as an experiment. Modularity is key to his process and many works are built from a single essential unit or building block. If an atom or electron is a basic unit for physicists, his unit is the tetrahedron.

Unlike other shapes, a tetrahedron cannot tessellate with itself. It cannot cover or form a surface through its repetition - one tetrahedron is unable to fit together with others of its kind. Whilst other shapes can sit alongside one another without creating gaps or overlapping, tetrahedrons cannot resolve in this way. Shawcross’ Schisms are a perfect demonstration of this failure to tessellate. They bring twenty tetrahedrons together to form a sphere, which results in a deep crack and ruptures that permeate its surface. This failure of its geometry means that it cannot succeed as a scientific model, but it is this very failure that allows it to succeed as an art work, the cracks full of broad and potent implications.

The show includes all Conrad's manifold geometric and philosophical investigations into this curious, four-surfaced, triangular prism to date. These include the Paradigms, the Lattice Cubes, the Fractures, the Schisms, and The Dappled Light of the Sun. The latter was first shown in the courtyard of the Royal Academy and subsequently travelled all across the world, from east to west, China to America.

The show also contains the four Beacons. Activated like a stained-glass window by the light of the sun, they are composed of two coloured, perforated disks moving in counter rotation to one another, patterning the light through the non-repeating pattern of holes, and conveying a message using semaphoric language. These works are studies for the Ramsgate Beacons commission in Kent, as part of Pioneering Places East Kent.

The exhibition Cascading Principles: Expansions within Geometry, Philosophy, and Interference is curated by Fatoş Üstek, and is organised in collaboration with Oxford Mathematics. 

The exhibition is open 9am-5pm, Monday to Friday. Some of the works are in the private part of the building and we shall be arranging regular tours of that area. If you wish to join a tour please email @email.

The exhibition runs until 30 June 2025. You can see and find out more here.

Watch the four public talks centred around the exhibition (featuring Conrad himself).

The exhibition is generously supported by our longstanding partner XTX Markets.

Images clockwise from top left of Schism, Fracture, Paradigm and Axiom

The Mathematical Institute is delighted to be hosting a major exhibition of artist Kathleen Hyndman's mathematical inspired work.

The exhibition of drawings and paintings illustrate Hyndman’s desire to see nature and the world around her in mathematical sequences and geometrical patterns. Golden Section proportions and angles, prime numbers as well as Fibonacci numbers and eccentric constructions are all used to create works achieving a calm and balanced unity.

Born in Essex, Hyndman trained at Kingston-upon-Thames School of Art and exhibited widely in the UK and abroad, including MOMA Oxford and the Hayward Annual in London. As well as a full time artist, she was also a teacher and mother of two. She lived and had her studio in Kingston Bagpuize in Oxfordshire and had exhibitions at Zuleika Gallery in Woodstock until her death in 2022.

The exhibition is curated by Zuleika Gallery and Professor Martin Kemp FBA, and will run until the end of the year.

Image: Kathleen Hyndman (1928-2022), Sunshine and Tree, 1983, acrylic on canvas, 73 x 102 cm

In this lecture Gábor Domokos will use the geometric theory of tilings to describe natural patterns ranging from nanoscale to planetary scale, appearing in physics, biology, and geology.  Rock fragments can be modelled by polyhedra having, on average, six flat faces and eight sharp vertices, reflecting Plato’s postulate of pairing the element Earth with the cube.  If we depart from polyhedra and admit curved faces then we can tile space without any sharp corners with a new class of shapes, called soft cells, which appear in both living and non-living nature.

Gábor Domokos is a research professor at the Budapest University of Technology and Economics.  He is best known for proving a conjecture of V.I. Arnold by constructing, with Péter Várkonyi, the Gömböc, the first homogeneous, convex shape with just one stable and one unstable static equilibrium. Since then he has developed geometrical models of natural shapes and their evolution, including Martian pebbles, turtles shells, planetary crack patterns, rock fragments, asteroids, ooids, supramolecular structures and, most recently,  soft cells. 

Please email @email to register.

This lecture will be premiered on our YouTube Channel on Thursday 22 May at 5pm (and any time after). No need to register for the online version.

The Oxford Mathematics Public Lectures are generously supported by XTX Markets.